Anarchy in the O.K. Brings Punk Spirit to the Okanagan

A Wilhelm Scream, Raygun Cowboys, Alien Boys + more take over Vernon this September

by RANGE

Pictured: WAIT//LESS (photo by Megan Magdalena)

The Okanagan is about to get loud. Anarchy in the O.K. Music Festival storms into Vernon’s Creekside Conference Centre the weekend of Saturday, Sept. 13, promising two days of high-octane punk, rock, and community spirit.

Presented by The Small Axe, the fest was born from a late-night post-show brainstorm at the beloved Enderby roadhouse of the same name — a spot that’s become a local hub for live music and good food. What started as a casual “what if?” conversation between friends and restaurateurs has now evolved into one of the most exciting new DIY festivals in the region.

This year’s lineup features A Wilhelm Scream, Raygun Cowboys, Alien Boys, and RANGE favourites WAIT//LESS, alongside a stacked bill of Western Canadian acts that embody the grit and heart of the punk community. Expect sweat-soaked sets, cold drinks, local eats, and a crowd of diehard fans bringing the chaos in true Okanagan fashion.

Beyond the music, Anarchy in the O.K. doubles down on its grassroots ethos by giving back. Proceeds from the festival will support Forever Home Sanctuary and Sweet Smiles Society, reinforcing the organizers’ mission to uplift both people and animals.

With sponsors like Harley-Davidson and Long & McQuade on board, and ticket prices ranging from $69–$99, the event blends punk spirit with small-town heart. While there’s no on-site camping, nearby accommodations and travel tips can be found online.

So, if you’re craving a weekend of distortion, connection, and community — grab your tickets at linktr.ee/anarchyintheok and get ready to raise some hell in the hills.

By Sebastian Buzzalino

The Vernon quartet’s new album Rat Bastard is a fiercely alive mix of post-punk, dub, techno and basement-show energy.

By Kenna Clifford

Driven by the centuries-old sound of the shamisen, the Berlin-based quintet is deconstructing Japanese folk music and rebuilding it for new audiences around the world.

By Izzy Petraglia

The decade-spanning pop star held an immersive, phone-free experience for devout listeners to celebrate her new album, Music, Fashion, Film.

By Neil Jefferies

Alone Together finds the New York trio navigating grief, fatherhood and the uneasy distance between trust and suspicion.

By Sebastian Buzzalino

The Vancouver punk band bottle their chaotic live energy into a blistering black-and-white session filmed at Phony! Records.

By Cam Delisle

Paring alt-R&B back to its foundations, new avatar gives equal weight to songwriting, distance, and one of the genre's defining voices.

By RANGE

Peaches, Beverly Glenn-Copeland, Tanya Tagaq and Bibi Club are among the 10 artists competing for this year’s $30,000 prize.

By Sophia Pan

Fire From the Hip finds the actor and musician taking control of his art – even if he can’t control who follows him there.

By Myles Tiessen

On Tell The Kids We Tried, the singer-songwriter wrestles with isolation and the quiet hope of feeling something at all.

By Madeline Lines

The “broken R&B” artist talks creative side quests, lucid dreams and the collective power behind her long-awaited debut album, POWER HOUSE.