Austra Resurfaces With the Hypnotic “Siren Song”

With shimmering synths and subaquatic imagery, Katie Stelmanis reminds us why we fell under her spell in the first place.

by Melissa Brassard

Photo by Lamia Karic

There’s always been something elemental about Austra’s music — that sense of drama and gravity that makes every note feel like a natural phenomenon. Across her powerful discography, Katie Stelmanis has built a world where heartbreak becomes architecture, where synths shimmer like sunlight breaking through storm clouds, and her unmistakable voice rises above it all like a force of nature. A month and change ahead of her forthcoming album Chin Up Buttercup (out Nov. 14), she sounds both reborn and radiant — maybe even a little dangerous.

With “Siren Song,” Stelmanis dives deep into the mythic and emotional currents that have always defined her work. The track recalls the powerful energy of early singles like “Lose It,” the breakout anthem that first won us over while showcasing her operatic range and unearthly control.

Here, she channels heartbreak and longing into something oceanic, a shimmering, synth-soaked invocation that feels both ancient and futuristic. “If I sing a siren song, would you still pull towards the lyre?” she calls out, her voice floating through waves of bubbling arpeggios and pulsing bass lines that blur the line between seduction and surrender.

The accompanying video takes the metaphor literally, submerging Austra in a cheeky underwater dream sequence where she dances through clouds of bubbles, searching for connection in the depths. Co-produced with Kieran Adams (Diana, The Weather Station), “Siren Song” is vintage Austra — lush, yearning, and irresistibly hypnotic — a reminder that even when love leaves us gasping for air, beauty still exists below the surface.

By Alli Hayes

In conversation with three artists to discuss their setups, creative processes, and the joys of embracing uncertainty.

By Khagan Aslanov

Barnaby Weir on the long-standing collective’s legacy, the South Pacific sound, and continuing to live through music.

By Sofia Dawson

The Toronto indie festival brought more than 300 artists to the city, and these were the ones who caught our attention.

By Kenna Clifford

The Manitoba musician revisits adolescence, artistic freedom, and the formative records that shaped their most vulnerable album yet.

By Glenn Alderson

From Angine de Poitrine's global takeover to new records from Kaytranada, PUP, and Charlotte Day Wilson, these are the nominees.

By Sofia Dawson

On you seem pretty sad for a girl so in love, pop’s resident sad girl chronicles the downfall of her happily ever after.

By Sofia Dawson

The Toronto-born songstress finds A Little Vengeance on her fourth album.

By Glenn Alderson

Magazine finds meaning in brevity, condensing ten songs into an 11-minute burst of controlled chaos.

By Christina Rankin

The teenage punk band is turning riot grrrl chaos into something bigger than the scene that raised them.