By Youssef Hamoda
The Detroit rap visionary returns with an album that’s equal parts chaos, clarity, and cosmic confidence.
The end of the world might be looming, but according to indie-pop multi-instrumentalist Eve Parker Finley, it might not all be so bad. Based on a thought she had during the pandemic about people no longer being able to conceptualize a future, Finley offers an album full of reassurances that whatever’s coming, we’ll all face it together.
With lush string arrangements and classical interludes pushing up against dance-pop synths, Finley morphs into different characters to imagine futures that are as hopeful as possible, given the circumstances – regarding both our societal malaise and her own journey as a trans woman.
By Youssef Hamoda
The Detroit rap visionary returns with an album that’s equal parts chaos, clarity, and cosmic confidence.
By Molly Labenski
The Australian synthpop artist is embracing femininity in the form of upbeat bops.
By Stephan Boissonneault
From their demolished jam space to a new wave rebirth, Montreal’s synth-punk trio find poetry in the ruins on Odditi Populaire.