By Cam Delisle
Everyone’s favourite brat returns on a stark companion to Emerald Fennell’s take on the literary gothic.
On Son of Spergy, Daniel Caesar opens a window into his family and faith. The title nods to his dad’s nickname—Norwill Simmonds, a gospel singer and pastor who actually appears on the album—and the tracks trace questions of heritage, love, and belief. Acoustic guitars, sparse piano, and Caesar’s intimate voice guide moments like “Have a Baby (With Me)” and “Touching God,” while collaborations with Yebba and Bon Iver highlight connection without overshadowing the core: Caesar reckoning with who he is, where he comes from, and what he wants to leave behind.
By Cam Delisle
Everyone’s favourite brat returns on a stark companion to Emerald Fennell’s take on the literary gothic.
By Cam Delisle
On her first video-single of the year, the emerging alt-pop voice finds solace in the wake of a break-up.
By Khagan Aslanov
The Salem post-hardcore outfit keep the fury alive on Love Is Not Enough.