By Cam Delisle
Everyone’s favourite brat returns on a stark companion to Emerald Fennell’s take on the literary gothic.
Jessie Reyez moves through her third studio album Paid in Memories like she’s flipping through a photo album at midnight—some images cut, some luminous. Floating between rap, alt‑rock, and slow neo‑soul, she carries splinters of heartbreak and moments of clarity like loose coins in her pocket. Drifting and stumbling, Reyez lets memory settle in the spaces between sound and voice. By the end, she emerges both exposed and incandescent, a presence shaped as much by what she’s survived as what she’s loved.
By Cam Delisle
Everyone’s favourite brat returns on a stark companion to Emerald Fennell’s take on the literary gothic.
By Cam Delisle
On her first video-single of the year, the emerging alt-pop voice finds solace in the wake of a break-up.
By Khagan Aslanov
The Salem post-hardcore outfit keep the fury alive on Love Is Not Enough.