By Cam Delisle
Everyone’s favourite brat returns on a stark companion to Emerald Fennell’s take on the literary gothic.
This is a record shaped by six years of grief, joy, and reflection. Gaskin moves effortlessly between intimate R&B, pop hooks, and Cree musical traditions, grounding sleek production in lived experience. On tracks like “Brown Man” and “Song for Granny,” Gaskin confronts systemic violence and personal loss with a voice that’s steady, precise, and commanding. LOVECHILD is the result of an artist sorting through everything he’s lived, piece by piece, without pretending that any of it was simple.
By Cam Delisle
Everyone’s favourite brat returns on a stark companion to Emerald Fennell’s take on the literary gothic.
By Cam Delisle
On her first video-single of the year, the emerging alt-pop voice finds solace in the wake of a break-up.
By Khagan Aslanov
The Salem post-hardcore outfit keep the fury alive on Love Is Not Enough.