By Noémie Attia
Zia Anger reflects on her first steps and missteps as a young filmmaker in the indie sleaze era.
Film/TV
By Prabhjot Bains and Maggie McPhee
International legends, homegrown heroes, and masters of the craft all converge on Toronto for 11 days of pandemonium.
By Stephan Boissonneault
Hilarious headbanger Paul Spence talks about the duality of his own rock and roll story.
By Ben Boddez
The most exciting, powerful, and history-making stories on display at the Vancouver International Film Festival's 43rd edition.
By Joe Mastromatteo
“She's a renaissance woman” — The documentary filmmaker on working with Stormy Daniels and telling stories that matter.
By Prabhjot Bains
Horror director Fede Álvarez delivers the best addition to the Aliens franchise since the 80s — but that doesn’t mean it's anything to write home about.
By Maggie McPhee
Sugarcane co-directors Julian Brave NoiseCat and Emily Kassie found making their film about a B.C. residential school restorative unto itself.
By Prabhjot Bains
As powerful a treatise on the correctional system as it is on the nature of performance.
By Prabhjot Bains
Lee Isaac Chung’s sequel reinvigorates a dormant genre by reminding us of the human and political face of climate catastrophe.
By Maggie McPhee
The Oscar-nominated actor subverts the average Western drama with sophomore directorial feature The Dead Don’t Hurt.
