DeathCabForCutie (1)

Death Cab for Cutie Is Still Climbing

I Built You A Tower solidifies the indie rock stalwarts' enduring presence while exploring grief, rumination, and futile self-pep talks.

by Molly Labenski

In an age of spectacle and artificially generated “art,” I Built You a Tower offers cathartic millennial nostalgia that unknowingly celebrates human imperfections. The album feels refreshingly underproduced and unfiltered, including songs that sound like demos and the occasional vulnerable voice crack from lead vocalist Ben Gibbard.

Tracks like “Full of Stars” and “Stone Over Water” are instrumentally clean and understated while lyrically poetic and evocative, in a way that feels reminiscent of fan favourites from decades past. In an album that explores the irrepressible nature of grief, these tidier tracks reflect the necessity of compartmentalizing something that can’t truly be contained, whereas low-fi and feedback-heavy songs like “Riptides” and “How Heavenly A State” unleash these unruly feelings with distorted guitar that comes about as close as Death Cab has ever come to heavy metal.

Their first album produced by an indie label in 20 years, I Built You a Tower is an exploration of new directions and a return to the band’s roots. It sounds like something you’ve heard before, but in a good way. Death Cab doesn’t need to break the mold when they’re the ones who made it.

By Melissa Brassard

From avant electronica to orchestral film scores and live reinterpretations of cult classics, VIFF Live is pushing cinema beyond the screen.

By Cam Delisle

The beloved Québec festival’s 58th edition belonged as much to its surprises as its marquee acts.

By Glenn Alderson

To celebrate the release of Nouveaux Langages, we asked the artists who helped shape her new double album to ask the questions.

By Sofia Dawson

Daughter From Hell finds the songstress twisting the knife deeper.

By Prabhjot Bains

Christopher Nolan’s adaptation succeeds less as a self-serious prestige epic and more as an unintentional, gloriously oversized B-movie.

By Sebastian Buzzalino

The Vernon quartet’s new album Rat Bastard is a fiercely alive mix of post-punk, dub, techno and basement-show energy.

By Kenna Clifford

Driven by the centuries-old sound of the shamisen, the Berlin-based quintet is deconstructing Japanese folk music and rebuilding it for new audiences around the world.

By Izzy Petraglia

The decade-spanning pop star held an immersive, phone-free experience for devout listeners to celebrate her new album, Music, Fashion, Film.

By Neil Jefferies

Alone Together finds the New York trio navigating grief, fatherhood and the uneasy distance between trust and suspicion.

By Sebastian Buzzalino

The Vancouver punk band bottle their chaotic live energy into a blistering black-and-white session filmed at Phony! Records.