By Cam Delisle
A conversation with the Montreal-based shape-shifter as he readies a set meant to blur genres and expectations at Pique’s final installment of 2025.
Kerala Dust may be based in London, but the trio’s sound feels like it was dreamt up somewhere between the desert roads of the American Southwest and a 3 a.m. warehouse rave. Their blend of art-rock cool, dusty Americana, and slow-burning, Burning Man-tinted house music landed at Fortune Sound Club on November 16, drawing a full room for a set built around their new album An Echo of Love with a few favourites from Violet Drive folded in.
From the jump, the band kept the room in constant motion. Frontman Edmund Kenny moved through the shadows like a midnight preacher, delivering his lines with a deadpan steadiness that only made the rhythmic churn underneath feel more hypnotic. The trio rarely paused between songs, letting each track melt into the next as the pulse of the kick drum threaded the whole night together.
Live, Kerala Dust leaned hard into improvisation: modular squalls, loose-limbed synth lines, and stretched-out transitions that opened the floor wide for dancing. At times, the arrangements felt leaner than the textured recordings — less smoke-and-mirrors atmosphere, more raw, mechanical drive — but the trade-off paid off in energy. The crowd didn’t need the finer details; they were too busy moving, locked into the band’s groove.
By Cam Delisle
A conversation with the Montreal-based shape-shifter as he readies a set meant to blur genres and expectations at Pique’s final installment of 2025.
By Sam Hendriks
Touring their sophomore record, 2, the Saskatchewan indie outfit delivered grin-inducing earnestness at Vancouver’s Vogue Theatre.