MalcolmHero

Malcolm Todd Does It Again

Warm guitars, lovesick musings, and a soulful vocal performance make for the cult favourite's most compelling release yet.

by Cam Delisle

Malcolm Todd’s sound has always drifted between the honey-coloured daydream of records like Tyler, The Creator’s Flower Boy and the loose, sunlit intimacy of Steve Lacy’s guitar-driven R&B. 

On Do That Again, the fast-rising cult favourite sinks even deeper into that atmosphere, stretching his raspy, instantly recognizable voice across 13 smooth, lovesick tracks. There’s something effortless about the way Todd moves through these songs – flirtatious one second, detached the next – turning bedroom pop and neo-soul into something that feels genuinely authentic rather than overly curated.

“Malcolm in the Middle” leads the album’s softer side, built around bright guitar plucks and an easygoing groove that practically begs for a cheeky finger-snap. Meanwhile, “Gun to the Head” taps into the smoother, more romantic side of Todd’s songwriting, pairing his playful, hyper-specific lyricism with laid-back guitar melodies and an undeniable sense of swagger. Even at his most relaxed, though, Todd’s charisma stays front and centre, carrying the record with a confidence that never slips into overperformance.

By Melissa Brassard

From avant electronica to orchestral film scores and live reinterpretations of cult classics, VIFF Live is pushing cinema beyond the screen.

By Cam Delisle

The beloved Québec festival’s 58th edition belonged as much to its surprises as its marquee acts.

By Glenn Alderson

To celebrate the release of Nouveaux Langages, we asked the artists who helped shape her new double album to ask the questions.

By Sofia Dawson

Daughter From Hell finds the songstress twisting the knife deeper.

By Prabhjot Bains

Christopher Nolan’s adaptation succeeds less as a self-serious prestige epic and more as an unintentional, gloriously oversized B-movie.

By Sebastian Buzzalino

The Vernon quartet’s new album Rat Bastard is a fiercely alive mix of post-punk, dub, techno and basement-show energy.

By Kenna Clifford

Driven by the centuries-old sound of the shamisen, the Berlin-based quintet is deconstructing Japanese folk music and rebuilding it for new audiences around the world.

By Izzy Petraglia

The decade-spanning pop star held an immersive, phone-free experience for devout listeners to celebrate her new album, Music, Fashion, Film.

By Neil Jefferies

Alone Together finds the New York trio navigating grief, fatherhood and the uneasy distance between trust and suspicion.

By Sebastian Buzzalino

The Vancouver punk band bottle their chaotic live energy into a blistering black-and-white session filmed at Phony! Records.