
Calgary-based singer-songwriter Michael Bernard Fitzgerald dives into the post-pandemic world heart first with his release of “After a While,” the first single from his upcoming album, Horizon Lines, set to be released in September 2024. Following the success of his 2020 record Love Valley, MBF’s new single weaves together soulful sounds and introspective lyrics, showcasing his passion for creating music that connects people through his art.
Entering fatherhood and embracing change after the pandemic, MBF explains the inspiration behind his new single: “I think ‘After a While’ does a good job of encapsulating what things feel like these days. The pressure seems to be up post-pandemic and I think we’re also all a little drained.”
Beginning the process in 2021, MBF crafted this song with his good friend and producer Josh Rob Gwilliam. The collaboration and writing process began on Zoom and concluded with the final mix being completed in Josh’s garage. “Long stretches of time seem to race by. I’m sure that’s maybe just the way things are with a big family and packed schedules, but I think it’s also a shared experience as we’re all working at finding our way again.”
The track’s warm and inviting sound, featuring live instrumentation mixed with pulsating synths, contributes to MBF’s signature style of inspiring connections through his art. “This track mixes a few musical elements that I love: direct, calm, focused, effect-sparse vocals, a droning acoustic that feels welcoming and sustained, big, moving drums, Eventide synth sounds, and very present (sometimes edgy) organ bass.”‘
MBF is set to go back out on the road throughout Western Canada in August 2024 for his Farm Tour | Tickets

By Thomas Melia
The genre-bending vocalist confronts the ghosts of love while making peace with the present.
By Sam Albert
On Anarchy, the New York native begs you to dream bigger, ask more questions, and revel in uncertainty.
By Kenna Clifford
Another Kind of Freedom barrels through capitalism, consumption and modern relationships in 12 frantic minutes.
By Reilly Tuesday
Nate Amos turns memories gathered on the road into timeless indie rock.
By Khagan Aslanov
Here’s where you’ll find us when Edmonton’s underground music takeover returns Sept. 11 to 13.
By Rubaiya Sajjad
The Toronto sextet returns to Calgary’s King Eddy for two sold-out nights and a live album captured by one of rock and roll’s most storied recording rigs.
By Maggie McPhee
On Mask Lady and Late Night Girl, Marta Cikojevic turns messy-girl pop into a glittery collision of glam rock and dance-floor escapism.
By Cam Delisle
The WOR$T GIRL IN CANADA cranked the Commodore Ballroom's volume to the max.
By Kenna Clifford
The surprise-dropped remix album transforms the resting-heart-rate meditations of her previous release into something built for the dancefloor.
By Glenn Alderson
With two albums already behind them this year and another on the way, the New Orleans band are making rock and roll faster than anyone can tell them what to do with it.