“Artists couldn’t tour when the world shut down so they found themselves at home with extra time on their hands,” explains 604 Records project manager Emilie Pallick. “While being stuck at home and falling down memory lane, JoJo Mason came up with the idea to have some friends cover nostalgic songs. What was expected to be a small EP quickly turned into an 11 song album as more and more artists from across the nation heard about the project and wanted to join.”
The album brings together a cross-country cast of country favourites including Robyn Ottolini, Jess Moskaluke, Tyler Joe Miller, The Washboard Union, Tim & The Glory Boys, and JoJo Mason himself. The concept is simple but irresistible: take some of the most recognizable storybook songs ever written and give them the boots-and-barstools treatment.
Each artist selected their own song, which helped shape the album’s eclectic personality.
“Each artist on this compilation got to pick the song(s) they covered and were able to make it as authentic or country as they wanted,” says Pallick. “We really wanted to focus on the passion aspect of this passion project.”
The results run the emotional gamut — just like any good country record should.
The Washboard Union kick things off with a feel-good rendition of “You Got A Friend In Me,” while Tyler Joe Miller’s easygoing spin on “The Bare Necessities” leans into the laid-back acoustic charm of its original. Danielle Ryan delivers one of the album’s most tender moments with “Remember Me,” while Kelly Prescott brings a wistful, outlaw-country touch to “Not In Nottingham.” Elsewhere, Jess Moskaluke and Tyler Shaw pair up for a soaring duet on “Whole New World,” and Tim & The Glory Boys close things out with a heartfelt take on “When You Wish Upon A Star.”
According to Pallick, the overlap between these nostalgic songs and country music’s storytelling tradition felt like a natural fit. “Country music is known for its lyricism and storytelling aspects,” she says. “Much like these nostalgic tracks, a great country song can take you on a journey so detailed that you feel like you lived it too.”
The celebration won’t stop when the album drops. On March 15, fans can step straight into the storybook at the Fairytale Country Party at Vancouver’s legendary Roxy Cabaret. With the venue’s famous Country Sunday house band playing live and the album spinning between sets, the night promises a playful mix of honky-tonk energy and fairytale flair.
“The Roxy’s famous Country Sunday felt like the perfect place to add a little bit of magic,” says Pallick. “Dress up in your best boots, ballgown, crowns, or costumes and come down to see where fairytales meet honky tonks.”
Because sometimes happily ever after sounds a lot like a steel guitar or banjo at a kid’s birthday party.
By Sebastian Buzzalino
The Vernon quartet’s new album Rat Bastard is a fiercely alive mix of post-punk, dub, techno and basement-show energy.
By Kenna Clifford
Driven by the centuries-old sound of the shamisen, the Berlin-based quintet is deconstructing Japanese folk music and rebuilding it for new audiences around the world.
By Izzy Petraglia
The decade-spanning pop star held an immersive, phone-free experience for devout listeners to celebrate her new album, Music, Fashion, Film.
By Neil Jefferies
Alone Together finds the New York trio navigating grief, fatherhood and the uneasy distance between trust and suspicion.
By Sebastian Buzzalino
The Vancouver punk band bottle their chaotic live energy into a blistering black-and-white session filmed at Phony! Records.
By Cam Delisle
Paring alt-R&B back to its foundations, new avatar gives equal weight to songwriting, distance, and one of the genre's defining voices.
By Sophia Pan
Fire From the Hip finds the actor and musician taking control of his art – even if he can’t control who follows him there.
By Myles Tiessen
On Tell The Kids We Tried, the singer-songwriter wrestles with isolation and the quiet hope of feeling something at all.
By Madeline Lines
The “broken R&B” artist talks creative side quests, lucid dreams and the collective power behind her long-awaited debut album, POWER HOUSE.
By Glenn Alderson
From SadBoi to Sook-Yin Lee, murals, installations and late-night discoveries, the Sudbury music festival is set to transform the city once again.