The Best Bands We Saw At Pop Montreal

A review of the iconic Montreal festival’s 21st edition in photos.

By Glenn Alderson

Montreal, QC

Sept. 28 to Oct. 2, 2022

Celebrating 21 years while marking the brisk turn of the season from summer to fall, Pop Montreal returned to the city’s Mile End neighbourhood in all its glory. The non-profit festival has organically built a name for itself as a champion of emerging talent on an international level. Building on the momentum of the re-emergence of live music, this year’s lineup featured exciting names, panels, and exhibitions for art and music lovers of all ages. 

From British funk collective Cymande (pronounced “si-mahn-day”) who originally broke up in the 70s, delivering an explosive dance party at the festival’s cozy outdoor venue, L’Entrepôt77, all the way to newcomers the Linda Lindas who’s members range from age 12 to 17.  Brandishing a concoction of cutesy alt-pop and punk rock, the LA-based quartet was attentively watched over by their guitar tech, Bobb Bruno of Best Coast, and their parents who watched on from the balcony of the beautiful Rialto Theatre. Over the course of the band’s hour-plus set they warmed hearts and minds with an endearing stage presence that included some very spot on French banter, a song sung in Spanish, and of course their breakout viral hit, “Racist, Sexist Boy.” 

Kuh Del Rosario | STUNT DOUBLE 2022

Another stand-out component of Pop Montreal is its Art Pop arm of programming. This year featured an engaging exhibition at Project Casa, showcasing emerging artists and creators in ‘At a distance – from within.’ The show took over two floors of the historic bourgeois mansion turned art gallery on Esplanade Avenue, which gallery owners Danielle Lysaught and Paul Hamelin have been using to showcase contemporary work displayed on, above, and beside the creaky floorboards of the unique space. The show featured work from Montreal-based sculptor Kuh Del Rosario who used repurposed coffee grounds, road salt and other common found materials to portray weathering and decay in her piece STUNT DOUBLE, and Toronto artist Holly Chang whose piece HOLDING I emphasized grief and loss of identity through making with nature. 

With more than 100 artists to take in, it’s impossible to see everything, but here are some photo highlights of the best Pop Montreal offered this year. You don’t always know what you’re going to get at Pop, and that’s the best part about it. We can’t wait to do it again next year.

Cymande, Sept. 29 at L’Entrepôt77 (Photo courtesy of Pop Montreal)

 

The Linda Lindas, Sept. 29 at Theatre Rialto (Photo: Vivien Gaumand)

 

Tess Roby, Sept. 30 at L’Entrepôt77 (Photo: Vivien Gaumand)

 

Sister Nancy, Oct. 1 at Piccolo Rialto (Photo: Vivien Gaumand)

 

OMBIIGIZI, Oct. 1 at L’Entrepôt77 (Photo: Vivien Gaumand)

Read our interview with OMBIIGIZI

 

Witch Prophet, Oct. 1 at L’Entrepôt77 (Photo: Vivien Gaumand)

By Glenn Alderson

To celebrate the release of Nouveaux Langages, we asked the artists who helped shape her new double album to ask the questions.

By Sofia Dawson

Daughter From Hell finds the songstress twisting the knife deeper.

By Sebastian Buzzalino

The Vernon quartet’s new album Rat Bastard is a fiercely alive mix of post-punk, dub, techno and basement-show energy.

By Kenna Clifford

Driven by the centuries-old sound of the shamisen, the Berlin-based quintet is deconstructing Japanese folk music and rebuilding it for new audiences around the world.

By Izzy Petraglia

The decade-spanning pop star held an immersive, phone-free experience for devout listeners to celebrate her new album, Music, Fashion, Film.

By Neil Jefferies

Alone Together finds the New York trio navigating grief, fatherhood and the uneasy distance between trust and suspicion.

By Sebastian Buzzalino

The Vancouver punk band bottle their chaotic live energy into a blistering black-and-white session filmed at Phony! Records.

By Cam Delisle

Paring alt-R&B back to its foundations, new avatar gives equal weight to songwriting, distance, and one of the genre's defining voices.

By Sophia Pan

Fire From the Hip finds the actor and musician taking control of his art – even if he can’t control who follows him there.

By Myles Tiessen

On Tell The Kids We Tried, the singer-songwriter wrestles with isolation and the quiet hope of feeling something at all.

Our Favourite Posts

Follow Us!