PUP Light the Fuse on Their Cross-Canada Tour

The beloved punk quartet return to the road with SNRK and a set that mixes old favourites, new fire, and zero encores.

By Laura Harvey

Photos by Laura Harvey

PUP kicked off the first leg of their Canadian headlining tour in Vancouver this week, turning the Commodore Ballroom into a reminder of why they’ve become one of this country’s most beloved punk exports.

Fresh off their fifth album, Who Will Look After the Dogs?, the Toronto quartet tore into the second of three sold-out Vancouver shows with the kind of chaotic precision that has made their concerts feel like communal therapy sessions disguised as mosh pits. Snotty Nose Rez Kids—homegrown heroes and longtime RANGE favourites—opened the night with a blistering set that proved unstoppable even with one member performing on a broken foot. Their mix of humour, political bite, and full-throttle delivery set the bar high before PUP even picked up their instruments.

Snotty Nose Rez Kids

PUP arrived to a room already vibrating, promising a different setlist each night while delivering a perfect storm of deep cuts and new anthems. “If This Tour Doesn’t Kill You, I Will” triggered an early sing-along, “DVP” detonated the pit, and a fan was even invited onstage to play bass on “Reservoir”—nailing it to the crowd’s delight.

No encore, no breathers—because encores are kinda dumb, right?—just a rowdy Beastie Boys “Sabotage” cover with Snotty Nose Rez Kids to close it out. If this is how the tour starts, the rest of Canada better be ready.

— Read our interview with PUP here — 

By Glenn Alderson

To celebrate the release of Nouveaux Langages, we asked the artists who helped shape her new double album to ask the questions.

By Sofia Dawson

Daughter From Hell finds the songstress twisting the knife deeper.

By Sebastian Buzzalino

The Vernon quartet’s new album Rat Bastard is a fiercely alive mix of post-punk, dub, techno and basement-show energy.

By Kenna Clifford

Driven by the centuries-old sound of the shamisen, the Berlin-based quintet is deconstructing Japanese folk music and rebuilding it for new audiences around the world.

By Izzy Petraglia

The decade-spanning pop star held an immersive, phone-free experience for devout listeners to celebrate her new album, Music, Fashion, Film.

By Neil Jefferies

Alone Together finds the New York trio navigating grief, fatherhood and the uneasy distance between trust and suspicion.

By Sebastian Buzzalino

The Vancouver punk band bottle their chaotic live energy into a blistering black-and-white session filmed at Phony! Records.

By Cam Delisle

Paring alt-R&B back to its foundations, new avatar gives equal weight to songwriting, distance, and one of the genre's defining voices.

By Sophia Pan

Fire From the Hip finds the actor and musician taking control of his art – even if he can’t control who follows him there.

By Myles Tiessen

On Tell The Kids We Tried, the singer-songwriter wrestles with isolation and the quiet hope of feeling something at all.

Our Favourite Posts

Follow Us!