Autumn is a feast for the senses; squelching pumpkin guts, sweet Halloween candy, and bonfire smoke are characteristic to an October well done. No spooky season, however, is complete without a dread-inducing playlist.
A tip for horror enthusiasts: consider adding Flameout to your autumnal album rotation. A collaboration between Vancouver alt-pop act Sort of Damocles (yes, that’s a mythological pun) and Calgary-based Squints Palledorous (yes, that’s a reference to The Sandlot), Flameout is the haunting conclusion to the trilogy that began with Throw Your Candle Out the Window and Try to Find Your Candle Again.
The 14-track album compiles new music and “some stuff recorded a long time ago” by Chris van der Laan, featuring the ethereal vocals of Joyelle Komierowski. Flameout‘s retro, lo-fi synths wouldn’t be out of place on an 80s horror soundtrack and tinny piano melodies seem exorcized from a haunted house. Aptly, the album art gives off heavy Exorcist (1973) vibes.
Sort of Damocles and Squints Palledorous follow through on the sense of humour promised by their respective stage names. For example, track 11 is titled “12.” Tags on the album’s Bandcamp page include “sorrow,” “suffering,” and “weed” (perhaps this is utilitarian SEO stuff, but it gave me a laugh regardless). The also album doesn’t take itself too seriously, despite its honest, devastating, and definitively un-campy lyrics.
Incantations carry the listener through grief like a graveyard. “Everything is just as it should be, without you here with me,” Komierowski whisper-sings in “Super Speclatron MISB.” Is Komierowski indeed missing the 80s-era action figure referenced in the title, or is it just another niche joke targeted at nostalgic listeners? That’s just part of the mystery and comedy of Flameout. The hazy production and earnest songwriting render the album a mainstay to be played and replayed both before and beyond October 31.
Order it on vinyl from Boat Dreams From The Hill while it’s still in (extremely limited) stock, or stream it on Bandcamp now. You can also watch their self-directed video for “New Camping Master” from the forthcoming album Beauty Goods below.
By Glenn Alderson
To celebrate the release of Nouveaux Langages, we asked the artists who helped shape her new double album to ask the questions.
By Sofia Dawson
Daughter From Hell finds the songstress twisting the knife deeper.
By Prabhjot Bains
Christopher Nolan’s adaptation succeeds less as a self-serious prestige epic and more as an unintentional, gloriously oversized B-movie.
By Sebastian Buzzalino
The Vernon quartet’s new album Rat Bastard is a fiercely alive mix of post-punk, dub, techno and basement-show energy.
By Kenna Clifford
Driven by the centuries-old sound of the shamisen, the Berlin-based quintet is deconstructing Japanese folk music and rebuilding it for new audiences around the world.
By Izzy Petraglia
The decade-spanning pop star held an immersive, phone-free experience for devout listeners to celebrate her new album, Music, Fashion, Film.
By Neil Jefferies
Alone Together finds the New York trio navigating grief, fatherhood and the uneasy distance between trust and suspicion.
By Sebastian Buzzalino
The Vancouver punk band bottle their chaotic live energy into a blistering black-and-white session filmed at Phony! Records.
By Cam Delisle
Paring alt-R&B back to its foundations, new avatar gives equal weight to songwriting, distance, and one of the genre's defining voices.
By RANGE
Peaches, Beverly Glenn-Copeland, Tanya Tagaq and Bibi Club are among the 10 artists competing for this year’s $30,000 prize.