By Cam Delisle
A conversation with the Montreal-based shape-shifter as he readies a set meant to blur genres and expectations at Pique’s final installment of 2025.
You’ve listened to his album and got lost in Don’t Tap The Glass, you’ve seen him on stage, crushing that impossible verse in Outkast’s “Bombs Over Baghdad” at the Rock & Roll Hall of Fame ceremony, you might have even played him in Fortnite — and now he’s Apple Music’s Artist of the Year.
Tyler, The Creator’s 2025 run wasn’t just impressive — it was a flex from one of the most inventive minds in modern music. Over the past year, listeners logged more than 4.5 billion minutes of his music on Apple Music, marking his strongest year ever on the platform. Much of that momentum came from CHROMAKOPIA, his most personal and fully realised world-building project to date, which broke his own first-day and first-week streaming records.
But in classic Tyler fashion, he didn’t coast. Mid-tour, he dropped DON’T TAP THE GLASS, a lean and urgent rap detour that shot to No. 1 in more than 55 countries and cemented his status as a genre-shifting force. Add in headlining sets at Governors Ball, Lollapalooza, Outside Lands, and Osheaga, plus the return of L.A.’s Camp Flog Gnaw, and you get a portrait of an artist operating at peak velocity.
“His creativity has been incredible all year,” said Apple Music’s Zane Lowe. Tyler kept it simple: “To everyone who listens to my music, thank you… Please keep supporting folks who are a bit out of the box.”
With his feature-film debut in Marty Supreme on the way and five new GRAMMY nominations, Tyler’s footprint in 2025 goes well beyond music — but the music alone was enough to earn him the crown.
By Cam Delisle
A conversation with the Montreal-based shape-shifter as he readies a set meant to blur genres and expectations at Pique’s final installment of 2025.
By Sam Hendriks
Touring their sophomore record, 2, the Saskatchewan indie outfit delivered grin-inducing earnestness at Vancouver’s Vogue Theatre.