By Cam Delisle
Built upon unsettling bass and fractured melodies, Haley Fohr’s latest is nothing short of haunting.
The end of the world might be looming, but according to indie-pop multi-instrumentalist Eve Parker Finley, it might not all be so bad. Based on a thought she had during the pandemic about people no longer being able to conceptualize a future, Finley offers an album full of reassurances that whatever’s coming, we’ll all face it together.
With lush string arrangements and classical interludes pushing up against dance-pop synths, Finley morphs into different characters to imagine futures that are as hopeful as possible, given the circumstances – regarding both our societal malaise and her own journey as a trans woman.
By Cam Delisle
Built upon unsettling bass and fractured melodies, Haley Fohr’s latest is nothing short of haunting.
By Ben Boddez
The Toronto skate-punks’ new EP Tell Me You Love Me Again finds the quartet in search of instant gratification across four riotous tracks.
By Emma Johnston-Wheeler
Shining a light on some of the incredible women who keep the gears turning in the Canadian music industry.