By Cam Delisle
The pop veteran beamed into Rogers Arena Tuesday night with a glitchy arsenal of remixed hits—some faring better than others in her AI-styled end-of-the-world fantasia.
Quarter Life Crisis’ fourth track is called “Intro.” Rather than a sequencing error, it actually serves as a representation of live-show banter with the audience, as she introduces the genesis behind the album’s next track. It’s moves like that – along with perfectly balancing rawness and catchiness – that let you know why she’s able to connect with so many.
The Montreal alt-pop artist’s first project since walking away from a major-label record deal and joining Bravo Musique, Laraw tackles the ups and downs of being twenty-five years of age, as big-picture plans start to both take shape and detonate spectacularly.
By Cam Delisle
The pop veteran beamed into Rogers Arena Tuesday night with a glitchy arsenal of remixed hits—some faring better than others in her AI-styled end-of-the-world fantasia.
By Alexia Bréard-Anderson
Montréal’s premier gathering for electronic music and digital creativity returns with an immersive three-act program bridging AI, XR, Indigenous tech, and ecological imagination.
By Cam Delisle
The Hamilton-based singer-songwriter reimagines “Mambo No. 5” through a sun-warped lens on her dizzying new video single.