By Cam Delisle
A conversation with the Montreal-based shape-shifter as he readies a set meant to blur genres and expectations at Pique’s final installment of 2025.
Jessie Reyez moves through her third studio album Paid in Memories like she’s flipping through a photo album at midnight—some images cut, some luminous. Floating between rap, alt‑rock, and slow neo‑soul, she carries splinters of heartbreak and moments of clarity like loose coins in her pocket. Drifting and stumbling, Reyez lets memory settle in the spaces between sound and voice. By the end, she emerges both exposed and incandescent, a presence shaped as much by what she’s survived as what she’s loved.
By Cam Delisle
A conversation with the Montreal-based shape-shifter as he readies a set meant to blur genres and expectations at Pique’s final installment of 2025.
By Sam Hendriks
Touring their sophomore record, 2, the Saskatchewan indie outfit delivered grin-inducing earnestness at Vancouver’s Vogue Theatre.