By Stephan Boissonneault
The eclectic crop of 40 albums spans everything from Quebec's avant-garde to breakout debuts and past Polaris champs.
This is a further indicator of why Montreal’s Atsuko Chiba should be a household name in the experimental/post-everything genres. The way this band crosses genres between songs, still sounding uniquely like themselves, is a marvel. For the uninitiated, the best parts of this album sound like a more accessible King Crimson mixed with the Mars Volta—with a pinch of Rage Against The Machine. Truly nothing like it.
by Stephan Boissonneault
- Published on
By Johnny Papan
From the streets of Melbourne to festival main stages, Benjamin Stanford broadcasts intention over algorithm.
By Megan Magdalena
The North Van-born indie rockers return to their roots with a sold-out hometown show and a new chapter that’s as playful and heartfelt as ever.
