By Prabhjot Bains
Ryan Coogler’s Southern Gothic epic is a transgressive reckoning with America’s Colour Line.
Film/TV
By Prabhjot Bains
CUFF director and lead programmer Brenda Lieberman on why the bizarrely beautiful indie genre fest needs to be seen to be believed.
By Prabhjot Bains
Christopher Landon’s pulpy, hyper-stylized chamber piece knows how to set up the dominoes and make them tumble with gusto.
By Joe Mastromatteo
After years spent making music in his mom's basement, the hooded Toronto-based artist is ready to share his story on screen and on stage.
By Prabhjot Bains
Director duo Anna Boden and Ryan Fleck’s return to indie filmmaking obliterates the line between homage and pastiche.
By Prabhjot Bains
This delightfully violent action comedy proves that the most painful wounds aren’t always physical.
By Prabhjot Bains
Steven Soderbergh’s latest is one of the most intensely romantic films of the year (so far).
By Molly Labenski
Stars frontman Torquil Campbell talks about writing music for the film and surviving the music industry.
By Joe Mastromatteo
The U.S. Girls songwriter discusses her first foray into writing music for film with Dead Lover.
By Prabhjot Bains
The acclaimed filmmaker’s messiest outing yet is also one of his most wildly entertaining.
