By Prabhjot Bains
Christopher Landon’s pulpy, hyper-stylized chamber piece knows how to set up the dominoes and make them tumble with gusto.
By Prabhjot Bains
Christopher Landon’s pulpy, hyper-stylized chamber piece knows how to set up the dominoes and make them tumble with gusto.
By Joe Mastromatteo
After years spent making music in his mom's basement, the hooded Toronto-based artist is ready to share his story on screen and on stage.
By Prabhjot Bains
Director duo Anna Boden and Ryan Fleck’s return to indie filmmaking obliterates the line between homage and pastiche.
By Prabhjot Bains
This delightfully violent action comedy proves that the most painful wounds aren’t always physical.
By Prabhjot Bains
Steven Soderbergh’s latest is one of the most intensely romantic films of the year (so far).
By Molly Labenski
Stars frontman Torquil Campbell talks about writing music for the film and surviving the music industry.
By Joe Mastromatteo
The U.S. Girls songwriter discusses her first foray into writing music for film with Dead Lover.
By Prabhjot Bains
The acclaimed filmmaker’s messiest outing yet is also one of his most wildly entertaining.
By Prabhjot Bains
The Canadian auteur on opera, trauma, and the art of filmmaking.
By Stephan Boissonneault
Composer Rihards Zaļupe talks about how he shaped the animated Oscar-winner's emotional core on a modest budget.