From the jump, the crowd wasn’t watching—they were bracing. Curry took the stage like a man with nothing left to prove but everything still to destroy, ricocheting between albums with breakneck chaos: the glitched-out paranoia of TA13OO, the heatstroke nostalgia of ZUU, and the scorched-earth introspection of Melt My Eyez See Your Future. And of course, tracks from KING OF THE MISCHIEVOUS SOUTH were weaponized and flung into the pit like molotovs.
There was no illusion of polish. The mic crackled, limbs flew, and the floor shifted like tectonic plates. It was imperfect, primal, and alive, something too many polished arena shows have long since abandoned. The show ended, post-encore, with a blackout and a collective gasp, like surfacing after a near-drowning.
Curry cracked the PNE Forum wide open and walked through the smoke like a prophet with a busted amp. If this is what the future of rap looks like, it’s wearing steel-toed boots.
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The U.S. Girls and Stars songwriters talk tape, intuition, and the unexpected magic of slowing down ahead of their respective new releases.