By Stephan Boissonneault
With There Is Nothing In The Dark That Isn’t There In The Light, the veteran vocalist leans into intimate, searching folk.
Theatrical is the first word that comes to mind; every arrangement, outfit change, set piece, and visual complemented the madcap universe she’s created. From a screaming punk rock version of her hit song “Anxiety” to the classic pop and hip-hop stylings of her debut album Alligator Bites Never Heal, Doechii switched effortlessly from genre to genre, never letting the audience out of her chokehold.

An undeniable highlight of the night was her performance of “Nosebleeds,” a song she wrote before her 2025 GRAMMY win and released shortly after the ceremony. It never gets old watching her speak life into herself—and, by extension, into the audience. Her powerful presence entranced the crowd, who moved with her and sang along to every song.
Just like Doechii says on the industry-targeted “BOOM BAP”—she really is everything.
By Stephan Boissonneault
With There Is Nothing In The Dark That Isn’t There In The Light, the veteran vocalist leans into intimate, searching folk.
By Sam Hendriks
A refined turn toward clarity reveals Melody Prochet at her most grounded and assured.
By Judynn Valcin
Inside the Montréal musician’s shift toward ease, openness, and a sound that refuses to collapse even as it teeters.