By Cam Delisle
The London-based producer/songwriter navigates uncharted sonic realms on her fourth studio album, echoing the likes of Björk and FKA Twigs.
The disco ball’s reflections circled the otherwise dimly lit Baby G, casting flickers of light over a devoted crowd barking with excitement. South London’s Fat Dog was about to take the stage in Toronto, headlining their North American tour following the release of their debut album, WOOF., on Domino Records. Anticipation thickened the air as fans, eager to witness the band’s untamed energy, packed the intimate venue for a night promising raw intensity.
From the moment Fat Dog launched into their opener, “Two Min Warning,” their rebellious spirit was undeniable. Fat Dog unapologetically resists easy interpretation. Their setlist unfolded with visceral energy, moving seamlessly from tracks like “Vigilante” and “Show Me the Way” to the explosive “King of Slugs” and the haunting “Wither.” Their sound—an unpredictable blend of electropunk, experimental rock, and unhinged pop-punk—kept the crowd on edge, captivated by the wild shifts in tempo.
With “Land Before Time” and the adrenaline-fueled “Bad Dog,” the band was officially unleashed. The intimate atmosphere of the small club was the perfect setting as fans belted out lyrics.
As the show wrapped with “Running” and the anthemic “Peace Song,” it was clear that Fat Dog’s big fat performance was cathartic for many — a gritty experience for everyone in the room.
By Cam Delisle
The London-based producer/songwriter navigates uncharted sonic realms on her fourth studio album, echoing the likes of Björk and FKA Twigs.
By Leslie Ken Chu
The Vancouver rock duo bid farewell on their own terms, with blistering riffs, roaring choruses, and no regrets on Fate & Alcohol.
By Liam Dawe
Montreal-based songwriter Seth O’Neill steps out of his inhibitions and into a spicy alter-ego accompanied by fluorescent visuals.