Photo: Becca Hamel
Photo: Becca Hamel

Valley Drops An Intimate V-Day Present For Their Fans

Toronto’s alt-pop sweethearts bare it all on their cumulative release, Last Birthday (The After Party).

by Aurora Zboch 

With impressive release pace, Valley have established themselves as Toronto’s alt-pop sweethearts, and they’re devoted to satisfying fans with a deluxe album titled Last Birthday (The After Party). The LP pairs the band’s two recent EPs – October’s Last Birthday and January’s The After Party – with track-by-track commentary. 

When they’re not making ridiculous skits and rehearsal TikToks on a rapidly growing page that spawned viral hits like “SOCIETY” and “Like 1999,” Valley vividly capture the effervescent moments of falling in and out of love. “Tempo” is a song fit for a dance party with that special someone, and as singer Rob Laska explains on the latest project, it encapsulates “being obsessed with a moment in time you never want to end.”

“Songs have their seasons,” Laska says, reflecting on “ain’t my girl,” the very first song Valley wrote as a band seven years ago. Heavily informed by their roots in the greater Toronto area, the commentary also includes stories about writing on the local GO Train, references to Jim Carrey, and late nights with best friends at Denny’s. 

Valley also lets us know that love songs aren’t exclusive to your beau; they’re for friends and family too. The song on the album, “Last Birthday,” is dedicated to this kind of everlasting friendship, the bow on top of the quartet’s musical bond. By the end of the song’s new music video (see below), Valley are the last four standing amid confetti in a dance hall, celebrating each other’s presence and the kind of love that stands the test of time. 

But it’s “Paper Cup (sorry for myself)” that reminds listeners it’s just as important to save some space and love for yourself. While floating on dreamy melodies, the lyrics hit on tender points during an especially difficult time for many.

Valley’s first North American headlining tour begins February 16 in Boston and leads them to New York’s Governors Ball music festival on June 11. Looking for a fun date idea? Grab tickets to their show, send your favourite person a Valley song, and watch them swoon. 

Universal Music Canada, 2022

By Melissa Brassard

From avant electronica to orchestral film scores and live reinterpretations of cult classics, VIFF Live is pushing cinema beyond the screen.

By Cam Delisle

The beloved Québec festival’s 58th edition belonged as much to its surprises as its marquee acts.

By Glenn Alderson

To celebrate the release of Nouveaux Langages, we asked the artists who helped shape her new double album to ask the questions.

By Sofia Dawson

Daughter From Hell finds the songstress twisting the knife deeper.

By Prabhjot Bains

Christopher Nolan’s adaptation succeeds less as a self-serious prestige epic and more as an unintentional, gloriously oversized B-movie.

By Sebastian Buzzalino

The Vernon quartet’s new album Rat Bastard is a fiercely alive mix of post-punk, dub, techno and basement-show energy.

By Kenna Clifford

Driven by the centuries-old sound of the shamisen, the Berlin-based quintet is deconstructing Japanese folk music and rebuilding it for new audiences around the world.

By Izzy Petraglia

The decade-spanning pop star held an immersive, phone-free experience for devout listeners to celebrate her new album, Music, Fashion, Film.

By Neil Jefferies

Alone Together finds the New York trio navigating grief, fatherhood and the uneasy distance between trust and suspicion.

By Sebastian Buzzalino

The Vancouver punk band bottle their chaotic live energy into a blistering black-and-white session filmed at Phony! Records.