By Khagan Aslanov
The Swans “impresario” speaks about seeking understanding, the unsure future, and his collective’s last obelisk.
Vancouver-based indie stalwarts Apollo Ghosts let out a peculiar but welcomed roar with Pink Tiger. A two-parter of sorts, the 22-song double album is presented as a diptych of low-key, folky compositions (aka Pink) and the kind of sweat-soaked, jangle-punk positivity the group have honed in on since forming at the tail end of the 00s (Tiger, if you will).
The remotely recorded sessions are filled with Nick Drake-referencing folk minimalism (“Morning Voice”), and tenderly-scored moments of singer Adrien Teacher taking stock of a wake (“To Set the King Bloom”). “But I’ll Be Around” is a twee highlight where chiming acoustic lines snake themselves around Amanda P.’s hushed vocal performance.
By Khagan Aslanov
The Swans “impresario” speaks about seeking understanding, the unsure future, and his collective’s last obelisk.
By RANGE
The Montreal quartet’s latest track transforms decision paralysis into pure punk momentum.
By Cam Delisle
The Québec-born star’s new album, No, I’m Not Crying, is her boldest and most immersive work yet.