By Stephan Boissonneault
Cassandra Angheluta embraces trauma and transformation on her debut album, There’s A Shadow In My Room And It Isn’t Mine.
Most stoner/riff bands hold the early Black Sabbath records as the Demonic Ideals for the genre. But on IV, Vancouver’s Dead Quiet make a graveyard deal with themselves to push the limits of their instruments, their chops, and sheer output volume. Smart songcraft manages that excess, distorting time, space and spirit in service of 45 minutes of blissed-out riffs and howling angst. (SB)
by Sebastian Buzzalino
- Published on
By Stephan Boissonneault
The eclectic crop of 40 albums spans everything from Quebec's avant-garde to breakout debuts and past Polaris champs.
By Johnny Papan
From the streets of Melbourne to festival main stages, Benjamin Stanford broadcasts intention over algorithm.
