Blessed's Circuitous Is an Unpredictable Art-Rock Odyssey
Slick and streamlined math rock sensibilities come alive on the Abbotsford quartet's latest.
by Leslie Ken Chu
By Melissa Brassard
From avant electronica to orchestral film scores and live reinterpretations of cult classics, VIFF Live is pushing cinema beyond the screen.
By Cam Delisle
The beloved Québec festival’s 58th edition belonged as much to its surprises as its marquee acts.
By Glenn Alderson
To celebrate the release of Nouveaux Langages, we asked the artists who helped shape her new double album to ask the questions.
By Sofia Dawson
Daughter From Hell finds the songstress twisting the knife deeper.
By Prabhjot Bains
Christopher Nolan’s adaptation succeeds less as a self-serious prestige epic and more as an unintentional, gloriously oversized B-movie.
By Sebastian Buzzalino
The Vernon quartet’s new album Rat Bastard is a fiercely alive mix of post-punk, dub, techno and basement-show energy.
By Kenna Clifford
Driven by the centuries-old sound of the shamisen, the Berlin-based quintet is deconstructing Japanese folk music and rebuilding it for new audiences around the world.
By Izzy Petraglia
The decade-spanning pop star held an immersive, phone-free experience for devout listeners to celebrate her new album, Music, Fashion, Film.
By Neil Jefferies
Alone Together finds the New York trio navigating grief, fatherhood and the uneasy distance between trust and suspicion.
By Sebastian Buzzalino
The Vancouver punk band bottle their chaotic live energy into a blistering black-and-white session filmed at Phony! Records.