By Stephan Boissonneault
With There Is Nothing In The Dark That Isn’t There In The Light, the veteran vocalist leans into intimate, searching folk.
It might be demanding for anyone besides frontman Dan Bejar to catch all the underlying references in Labyrinthitis. But this hovering mystery is part of Destroyer’s magnetism.
Bejar’s inconceivably dense short stories and shocking U-turns in sound have cemented Destroyer as an indie mainstay for decades, and there’s no shortage of them on the band’s latest project named after a pandemic-induced mania experienced by the always enigmatic songwriter.
By Stephan Boissonneault
With There Is Nothing In The Dark That Isn’t There In The Light, the veteran vocalist leans into intimate, searching folk.
By Sam Hendriks
A refined turn toward clarity reveals Melody Prochet at her most grounded and assured.
By Judynn Valcin
Inside the Montréal musician’s shift toward ease, openness, and a sound that refuses to collapse even as it teeters.