There’s no right or wrong way to deal with the chaotic ways of our world, and that’s why Philadelphia-based rock band Mannequin Pussy intends to confront these issues in myriad ways with their new album, I Got Heaven.
The first release since their 2021 EP Perfect, the band continues to showcase a perfect medium of songs bursting at the seams with rage, along with chiller tunes mixed into the fold that are more contemplative rather than vengeful.
Lead singer Marisa Dabice spits pure venom on the title track, calling out religious hypocrisy and the trauma it’s inflicted upon millions. “I am spiteful like a god, seek out vengeance like the rest,” she screams. “For what they did to you, I will never lay to rest.” Bassist Colins “Bear” Regisford joins in on the angry vocals for the song “OK? OK! OK? OK!,” making for an electrifying, yet brief highlight.
I Got Heaven finds spaces of calm as well, like on the relaxed song “I Don’t Know You,” where Dabice sings to a crush and gets excited about the fantasy of it all. If anything, one wishes these kinds of short but sweet moments could stay around longer, as the album is just 10 tracks, some barely even hitting the two-minute mark.
Despite its quick visit, I Got Heaven is an epic collection from a band that keeps improving on itself. It’s full of depictions of holiness, hunger, pain, and fury that at times seems unbearable. And while it may seem harsh, Mannequin Pussy will be the first to remind you that it’s a harsh world.
By Glenn Alderson
The Toronto-born LA-based artist explores the tension between romance and emotional captivity inside a seductive, Lynchian haze.
By Samuel Albert
On her new EP The Lone Starlet, the Texas-born pop ingénue reimagines the American dream through cinematic, Hollywood melodrama.
By Johnny Papan
The punk rock stalwarts find meaning in friendship, survival, and the weight of everything around them on Cold World.
By Cam Delisle
The French electro-pop chanteuse on childhood, horror, and her whimsical new EP the plushies.
By Kenna Clifford
The Montreal electronic duo turn nervous breakdowns, Tumblr-sleaze, and queer romance into shimmering avant-pop.
By Emily Kristensen and Gökçe On
From flash tattoos and emotional fan confessions to an unforgettable onstage moment, the UK rocker's Toronto stop felt unusually personal.
By Kenna Clifford
The director's latest is an eerie, slow-breathing meditation where land, memory, and trauma haunt with equal force.
By Cam Delisle
On set for her latest single “asleep with the fishes,” the fast-rising Vancouver artist maps her city’s evolving soundscape and the EP blooming out of it.
By Prabhjot Bains
From an immersive pop spectacle to a surreal shoplifting satire, here is what to watch in May.
By Sydney Eliot
Led by a voice some may recognize, the duo arrive with a fully formed sound and a clear sense of direction.