By Khagan Aslanov
The Swans “impresario” speaks about seeking understanding, the unsure future, and his collective’s last obelisk.
Apparently when band leader Aurora Wolfe was asked what the name of her band’s latest album translated to she told them it meant “nice to meet you.” In actuality it translates to something along the lines of “I’m a bastard,” but rest assured there are no bastard songs here.
A fresh and moody folk-rock offering that finds its groove early on and sticks to it, Dump Babes confront themes of colonialism, Indigenous displacement, and identity while taking listeners through disco-infused peaks and dreamy, ethereal valleys.
By Khagan Aslanov
The Swans “impresario” speaks about seeking understanding, the unsure future, and his collective’s last obelisk.
By RANGE
The Montreal quartet’s latest track transforms decision paralysis into pure punk momentum.
By Cam Delisle
The Québec-born star’s new album, No, I’m Not Crying, is her boldest and most immersive work yet.