By Khagan Aslanov
The noise punk desecrationists return after 26 years with a new album of woozy tumult.
The Montreal electro-pop duo have mentioned that the titular chrysalis of their third studio album refers to “the feeling of tranquility that comes with being indoors during a thunderstorm, privy to the drama while remaining somewhat removed and untouched.” This makes a lot of sense considering their sound. Just like the relaxing couch as the storm rages outside, the project often features calming and airy vocals juxtaposed with icy synths and chaotic electronic soundscapes.
The two-time Polaris nominees continue to complement each other well vocally, bolstering their sharp and rhythmic pop songwriting with a contrast between one softer, Grimes-esque tone and one with fuller belts.
By Khagan Aslanov
The noise punk desecrationists return after 26 years with a new album of woozy tumult.
By Glenn Alderson
The best bands we saw at Rouyn-Noranda's Festival De Musique Émergente.
By Sebastian Buzzalino
The rising indie rock talent balances raw vulnerability with his charming sense of humour to create a compelling narrative from start to finish.