By Liam Dawe
Through grief, groove, and lo-fi soul, the Calgary duo deliver the first of a two-part muse on self-actualization.
The veteran Montreal indie-pop six-piece’s first album in five years takes a look back on two decades and nine projects of work, toning things down musically to offer some musings on cycles, rebirths and unexpected ends, touching on deaths both literal and metaphorical as they ponder what it will mean when longstanding life paths might come to a close.
While a couple tracks with a new synth-heavy direction and the band’s typical grandiose soundscapes still pop up from time to time, most of the album is acoustic and subdued to match Torquil Campbell and Amy Millan’s whispery, intimate duets.
By Liam Dawe
Through grief, groove, and lo-fi soul, the Calgary duo deliver the first of a two-part muse on self-actualization.
By Cam Delisle
The Manitoba artist spins prairie dust into falsetto-led indie folk on his debut EP.
By Yasmine Shemesh
The Counting Crows frontman opens up about rewriting songs, reflecting on the past, and what music still gives him today.