By Khagan Aslanov
On their sophomore LP, the Oklahoma sludge-punks build an uglier golem.
The veteran Montreal indie-pop six-piece’s first album in five years takes a look back on two decades and nine projects of work, toning things down musically to offer some musings on cycles, rebirths and unexpected ends, touching on deaths both literal and metaphorical as they ponder what it will mean when longstanding life paths might come to a close.
While a couple tracks with a new synth-heavy direction and the band’s typical grandiose soundscapes still pop up from time to time, most of the album is acoustic and subdued to match Torquil Campbell and Amy Millan’s whispery, intimate duets.
By Khagan Aslanov
On their sophomore LP, the Oklahoma sludge-punks build an uglier golem.
By Ben Boddez
The punk-rock quartet are still mostly in their teen years, but they’ve already conquered the world and continue to surprise listeners at every turn.
By Khagan Aslanov
As Nick Cave and the Bad Seeds prepare for their Wild God tour, the Australian musician and composer reflects on a year of musical highs, personal losses, and quiet triumphs.